Karimoku New Standard and ASICS Partner for Sustainable Furniture Collection
Karimoku New Standard has launched a global collaboration with ASICS, transforming foam from discarded ASICS trainers into cushioning for two new furniture pieces: the Castor Lobby Sofa and Polar Lounge Chair. This initiative repurposes deadstock footwear, reducing waste and creating a unique hybrid material by blending EVA foam with cotton. The partnership highlights a commitment to sustainability and innovative material reuse in furniture design, offering both comfort and an eco-conscious approach.
Baird Architects Unveils Debut Furniture Collection, BA Objeto
Baird Architects, a US-based architecture firm, has launched its first furniture line, 'BA Objeto,' which includes twelve pieces of seating, tables, and shelving. Designed by the firm's founder Matthew Baird, in-house architects, and external collaborators, the collection is manufactured in Portugal. This venture marks a strategic expansion for the studio, moving beyond bespoke furniture to a broader business model that celebrates individual designers' contributions and explores craftsmanship at a more intimate scale.
Objects with Narratives Unveils "What Remains?" Exhibition at PAD London
Objects with Narratives, a Belgian gallery, presents its second exhibition, "What Remains?", at PAD London. This showcase features a diverse collection of textured pieces from designers like Ben Storms and Paul Cocksedge, emphasizing amorphous forms and aged surfaces. The exhibition explores the enduring quality of objects, blurring the lines between past and present, and runs until October 18th.
During the recent Graduation Show, master's students from Design Academy Eindhoven initiated protests to highlight critical issues concerning inadequate workspace and facilities. They argue that these deficiencies have resulted in 'economic segregation' among students, with some being forced to rent private off-campus spaces. The academy's delayed relocation plan and the return of previously used building sections to the landlord have exacerbated the problem, leading to overcrowded conditions and a lack of essential resources like teaching spaces, maker facilities, and even a functioning library. Students are demanding immediate solutions, including external workspaces, financial transparency, and student representation in institutional decisions.
Student Uprising: The Catalyst for Protest at Design Academy Eindhoven
Master's students at Design Academy Eindhoven recently initiated protests during the institution's annual Graduation Show, expressing profound dissatisfaction with the critical shortage of workspace and resources. Their collective action was fueled by the belief that the current conditions have fostered 'economic segregation' within the student body, significantly hindering their ability to engage in practical, large-scale design work. The demonstrations, held at the entrance of the exhibition, featured chants of 'No space today, no work to show' and a banner proclaiming 'DAE overenrolled under-spaced,' drawing attention to the systemic issues plaguing the esteemed design school.
The root of the students' grievances stems from several factors, primarily the academy's impending relocation to a new facility in the Kanaalzone, which has been postponed from 2026 to September 2028. This delay has compelled the institution to operate with reduced space, as portions of the Witte Dame building—its home since 1997—including the fifth floor previously allocated to master's students, had to be vacated. Consequently, students find themselves in cramped environments, facing insufficient tables, a scarcity of dedicated teaching areas, and a complete absence of open workshops or maker spaces essential for physical production. Furthermore, the library's closure since late September due to staffing shortages has compounded their challenges, intensifying calls for the academy to address these pressing concerns comprehensively and immediately.
Demands for Equity and Accountability: Students Challenge Institutional Practices
The protesting students are advocating for immediate and decisive action from Design Academy Eindhoven to alleviate the severe workspace crunch and address what they perceive as institutional mismanagement. Their demands extend beyond merely providing external working and study spaces to ease overcrowding. They seek greater accountability from the academy, emphasizing the need for financial transparency regarding resource allocation, clear and consistent communication with the student body, and meaningful student representation in all decision-making processes that directly impact their educational experience. This comprehensive set of demands reflects a deep-seated desire for a more equitable and supportive learning environment, where every student has the opportunity to thrive without facing undue economic or practical barriers.
Students like Pao Redó have articulated the severity of the situation, noting the complete eradication of their dedicated floor and the subsequent squeeze into already limited spaces, resulting in less than one table per person. This inadequacy, he explained, severely restricts their ability to work beyond computer-based tasks, stifling creativity and practical development. Despite prior assurances from the academy regarding transitional changes, students assert that promises have not been upheld, leading to months of formal complaints yielding only 'cosmetic and minimal solutions.' This perceived lack of genuine effort from the administration has galvanized the students to take public action, aiming to exert significant pressure for substantive change. While the DAE executive board chair, Raf De Keninck, acknowledges the challenges of operating with a one-third reduction in building space and emphasizes an 'education first' principle, students remain resolute in their demand for concrete provisions and a transparent resolution to the ongoing crisis.